• 'Howlin' for You' did not enter the Billboard Hot 100, but peaked at number 16 on the chart, which acts as a 25-song extension to the Hot 100. • 'Little Black Submarines' did not enter the Billboard Hot 100, but peaked at number 6 on the Bubbling Under Hot 100 Singles chart.

• 'Turn Blue' did not enter the Billboard Hot 100, but peaked at number 14 on the Bubbling Under Hot 100 Singles chart. • 'Turn Blue' did not enter the Alternative Songs chart, but peaked at number 16 on the chart.

Find The Black Keys discography, albums and singles on AllMusic. Xwidget Portable.

References [ ]. • ^ Peak chart positions in the United States: •... Retrieved 2012-05-21. Retrieved 2012-05-21.

Retrieved 2012-05-21. Retrieved 2012-05-21. Retrieved 2012-05-21. Retrieved 2008-06-24. Automatic': (PDF) (756).. October 20, 2004. Retrieved 24 August 2014.

• 'Fever': (PDF) (1258). Pandora Archive. April 17, 2004.

Retrieved 24 August 2014. Retrieved 2008-06-24. • ^ Peak chart positions in Canada: •...

Retrieved 2012-05-21. Archived from on 2008-09-24.

Retrieved 2012-01-16. Retrieved 2012-05-21. Retrieved 2008-06-24. • ^ (in French). Retrieved 2008-06-24. Retrieved May 22, 2014. • ^ (in Dutch).

Retrieved 2008-06-24. Retrieved 2008-06-24. • (in German). Retrieved 2014-05-22.

• ^ Zywietz, Tobias.. Retrieved 2008-06-24. Retrieved 2011-02-12. Retrieved 2011-12-16.

Archived from on 2009-09-24. Retrieved 2009-12-11. • • (PDF) (in French).. Retrieved 22 May 2014.

Retrieved May 22, 2014. Archived from on 2012-02-28. Retrieved 2017-03-02. Far East Pack Torchlight 2 there.

Archived from on 2011-05-22. Retrieved 2010-07-13. Retrieved January 21, 2017. Video Static. Retrieved 2012-01-16.

Retreating from the hazy -fueled pot dream of, the headed down to the legendary Muscle Shoals, recording their third album on their own and dubbing it. The studio, not to mention the artwork patterned after such disregarded Chess psychedelic-era relics as, are good indications that the tough blues band of earliest records is back, but the group hasn’t forgotten what they’ve learned in their inwardly psychedelic mid-period. Still can get mighty trippy -- the swirling chintzy organ that circles “The Only One,” the Baroque harpsichord flair of “Too Afraid to Love You” -- but the album is built with blood and dirt, so its wilder moments remain gritty without being earthbound. Sonically, that scuffed-up spaciness -- the open air created by the fuzz guitars and phasing, analog keyboards, and cavernous drums -- is considerably appealing, but ' ace in the hole remains the exceptional songwriting that and are so good.

They twist a stomp into swamp fuzz blues, steal a title from but never reference that classic groove, and approximate a slow ‘60s soul crawl on “Unknown Brother” before following it up with a version of s “Never Gonna Give You Up,” and it’s nearly impossible to tell which is the cover. And that’s the great thing about in general and in particular: the past and present intermingle so thoroughly that they blur, yet there’s no affect, just three hundred pounds of joy.