Ryuichi Sakamoto Pure Best Rar For Mac

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Download Ryuichi Sakamoto Pure Best Rar. U-KISS JAPAN BEST COLLECTION 2011-2016. Danielle Withers, Electro Jazz, George Duke, Mac Miller, R'n'B, Ronald. Ryuichi Sakamoto Albums Download VA - Rough Trade Shops Covers Vol. FLACVA - Rough Trade Shops Covers Vol. Rough Trade Shops Covers Vol.

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Ryuichi Sakamoto Pure Best Rar For MacRyuichi Sakamoto Coda

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Haruomi Hosono Haruomi Hosono compiled by Nicholas D. Kent email: ndkent 'at' optonline.net Last updated 03.2.5 (*) means I don't own this album (@) means I've heard this album but don't own a copy. (+) means I've got this item reissued since I own the 2 multi CD sets Thanks: Derek Higgins added some descriptions, they are identified by (DH:) Ralf Kraus added some descriptions, they are identified by (RK:) helped verify info. Some of the translations are from him. David McKenzie Comfort Terry Green Ron Kane Since the early '70s, Haruomi Hosono has been perhaps the most innovative artist/producer in Japanese popular and electronic music. Like many great music innovators (Eno would be an example), he's had sucesses but big hits and top selling albums come infrequently.

The first thing that got him noticed was his work as bassist for Happy End in the early 70s. There he pushed for creating original rock / r&b songs sung in Japanese (while you had a lot of sentimental popular songs sung in Japanese at the time, rock was sung in English in those days) By the late 70s Hosono was making tropical exotica style music sometimes solo or with his band Tin Pan Alley and inspired partly by Van Dyke Parks. Again he creating a trend by doing something different from al most everyone else. In '78, aided by virtuoso keyboardist Ryuichi Sakamoto and programmer Hideki Matsutake and eventually drummer/vocalist Yukihiro Takahashi, he was the major figure in founding the Technopop style of synth music in Japan. That year also found the birth of the band YMO (HH, Sakamoto and Takahashi), this spawned a half decade or so of technopop music being the cutting edge pop sound in Japan.

As an undercurrent during the YMO era and coming to the forefront after it was Hosono's interest in ambient music. During the mid 80s, besides song production for numerous other artists, Hosono himself worked on 2 very different sides of his own music. One side was the creation of ambient works. On the other side he was into a synth funk sound with his new act F.O.E. For a quite different side of things. By the early 90s Hosono was involved in hybrids of ambience, technopop and world music, by the mid 90s he was incorporating drum and bass and lounge music into the mix.

In the late 90s he's revived some of his earlier roots with new tropical and r&b sounds without the electronica and has been actively remastering much of his and YMO's back catalog. Most recently he's formed a successful electronica act with Yukihiro Takahashi called Sketch Show with Sakamoto joining in as a frequent special guest just in time for the 20th anniversary of YMO's breakup. The Apryl Fool featuring Haruomi Hosono The Apryl Fool (*) 1969.9.10 cd: COCA-10819, lp: Musicolor YS-10068 Considered his first album.This is some sort of re-issued late 60s psychadelic album featuring Hosono as presumably bassist and was re-released on CD in the 1990s. Happy End In the 70s Hosono was in this band. Sort of rock R&B sometimes compared to Buffalo Springfield. The last of their studio albums was produced by Van Dyke Parks.